Denise Sullivan

Author, Journalist, Culture Worker

The Lives of San Francisco’s Poets

 

Some people write poetry. Others write about poetry.  I write about poets, among other people and living things. This week, San Francisco remains in the throes of celebrating poet, painter, and publisher, Lawrence Ferlinghetti who turns 100 years old on March 24.  He is indeed a person and a cause worthy of an extended celebration: A champion of art not only in his own work on the page, but at every opportunity he gets to speak publicly about the City, and as proprietor of City Lights, the bookstore he founded in 1953. There has been and will be much more written about Ferlinghetti as we move into his birthday month’s second half and upon the publication of his new novel Little Boy (pure poetry); I’ll leave it those better qualified to speak to his influence. I can however report firsthand that last Sunday,  on an unseasonably sunny and warm day, poet laureates past and present and assorted other people crammed into the cave-live Koret Auditorium at the San Francisco Public Library for a long afternoon of reading and speechifying in the name of Ferlinghetti’s centennial. There were some laughs and appreciation, but it was largely the kind of event that Ferlinghetti himself might have described as a gathering of “all you poet’s poets writing poetry about poetry.” I mean, I don’t know, I’m just going by what he’s written and what the poet’s poets said about him that day (at some point I lost altitude — not enough air in there).

As Ferlinghetti’s celebration continues, and in anticipation of poetry month in April and well, just because I can, I’ll point you to four recent profiles I’ve compiled about the lives of poets from our City of Poets.  All are in some way connected to Ferlinghetti’s legacy.

In this week’s San Francisco Examiner, I profiled Josiah Luis Alderete, a Spanglish speaking poet with North Beach roots and a Mission District corazón. An amazing performer, his pieces with titles like Claudia Patricia Gomez Gonzalez and Pinche Piñata will set you straight. Read his story here

Kim Shuck is San Francisco’s seventh and current poet laureate:  She is a tireless artist, educator, activist and advocate.  Her poems make racist statues disappear.  Read her story here

Alejandro Murguía was San Francisco’s sixth poet laureate and is the de facto poet laureate of the Mission District. His personal story spans beyond poetry and our city limits, from the bracero camps to the war in El Salvador. Read his story here

Finally, Tongo Eisen-Martin has been reading and resisting across the country the last couple of years. If you’ve had the good fortune to hear him recite his poems in person, then you know. He’s done some deep research into extrajudicial killing of Black lives and his poetry is alive on arrival. Read his story here

None of the tellings of the stories of these poets and their lives would be possible without the poets themselves, The City of San Francisco, The San Francisco Examiner and its photographer Kevin Hume, and the independent booksellers of the Mission District (particularly Modern Times Bookstore Collective, where I was lucky enough to make the acquaintance of these extraordinary artists). Thank you to everyone involved in making San Francisco’s poetry community exceptional and accessible.  And oh yes: A hearty thank you and a very Happy Birthday, Mr. Ferlinghetti. Your insurgent poetry continues to inspire we who are waiting for the rebirth of wonder with you.

 

Filed under: anti-capitalist, anti-war, Arts and Culture, Poetry, San Francisco News, Uncategorized, , , , , , ,

Two California Women in Conversation

Getting to meet inspiring, creative and intelligent people is probably my favorite part of the job as an independent journalist, editor and curator (aside from doing the writing, of course…). Over the past couple of years, I’ve had the pleasure of working with two extraordinary women, Kim Shuck, a poet/educator/beadworker and Lynell George, a journalist/essayist/photographer. Somewhere along the way and between individual conversations with both of them, I had the idea to get the pair together to talk about the things we seem to talk about most: The changing cityscapes of Los Angeles and San Francisco. Being born Californian and staying here has given Lynell and Kim a deep understanding of the place. I hope you’ll explore their insights and their work, and I invite you to read the conversation, published this month in Boom California, by the University of California Press.

(photo of Kim Shuck by Doug Salin; photo of Lynell George by Al Quattrocchi)

Filed under: Arts and Culture, Book news, Books, California, gentrification, Poetry, racism, San Francisco News, Women's issues, , , , ,

Take Down The Statues

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All around the country, bronze statues are coming down, thanks to a movement started in the South in 2015 following the church shooting in Charleston. A city, a whole region, holding on to a vision of the past that was not very honorable in the first place is no way to acknowledge true history or let the generations of people who were harmed by that history heal; instead these megaton renderings glorify injustice and beget more violence. A nation in the middle of a prolonged racial crisis can no longer continue to inflict harm on its citizens and yet, these statues are a daily reminder of how twisted, inaccurate, and dated our history has become.  It’s time for a change.

The movement to unpack and teach a more accurate version of our state’s history has finally reached the far west, where we of course are supposed to understand and know better (yet by and large, I’m sad to report, there are those who still don’t get it).  Here in San Francisco last week, Native American activists and their allies achieved a victory that was 30 years in the making:  The rendering of a piece called Early Days depicting a Spanish conquistador and a Franciscan missionary lording over a Plains Indian (who by the way, was not from this region), was finally removed at the break of dawn following a contentious hearing process. I talked about statuary and other civic concerns with San Francisco’s poet laureate, Kim Shuck, a member of the Cherokee nation as well as a Polish American and a native to San Francisco.  She’s an educator with a masters in fine art and knows well the precedents for public art display; as a Native American, a person of conscience, and a mother, she was personally aggrieved by the sight of the statue as she moved in and out of the public library, her primary place of work as our city’s poet laureate.  And we talked more in-depth about the battle to topple the statue and about her San Francisco life.  I hope you’ll read on and link to this week’s edition of my San Francisco Examiner column, S.F. Lives: READ NOW

Filed under: Arts and Culture, California, Poetry, racism, Tales of the Gentrification City, , , , , , , , ,

Congratulations Kim Shuck

Kim Shuck was named the new Poet Laureate of San Francisco today. Author of several collections of poetry, editor of anthologies and contributor to countless publications and journals, Kim is part Cherokee, part Polish, and is a fifth generation San Franciscan currently living in the Castro District.

“I’m delighted and flattered and ready to get on with the job,” she told me this morning upon the announcement of her post. “It’s not about me as much as it is about poetry and supporting poetry in the City.”

A lifelong reader, educator, lover of San Francisco’s libraries, its poetry, and writing history, I know Kim best as the curator of the Gears Turning Poetry Series which started at Modern Times Bookstore Collective in early 2015 and ran until the store’s closing at the end of 2016 (Gears Turning continues at Adobe Bookshop). Thanks to her efforts, her monthly reading series hosted a truly diverse, intellectually gifted, and emotionally-deep line-up of Native American readers and San Francisco poets, from the Mission to North Beach: She introduced voices that are not always featured at the usual bookstore readings and helped to restore a sense of normalcy to a bookstore that was having trouble surviving the new San Francisco.  She will be publishing a book of collected works by the poets in the series soon.

Kim’s own poems explore life’s often ineffable and sometimes more tangible mysteries, the light and the dark of them. The work is at once lyrical, traditional, and new. There is joy and grief and hope to be found in the collections of her poems, Clouds Running In, Rabbit Stories, Smuggling Cherokee, and the chapbook, Sidewalk Ndn. She is also an awarding-winning bead work artist.

Kim steps into the poet laureate position where Alejandro Muguía leaves it:  Both Alejando and Kim identify as poets of the People and of the Mission District, though they certainly have their respective histories and ties to San Francisco’s other poetry district, North Beach.  But what I really wish to acknowledge here is their tireless (a cliché, but true) efforts to raise the Mission’s profile as a literary destination in itself and for never saying no when called upon to read, present, or otherwise boost poetry in the neighborhood and beyond it.

A side note: Yesterday’s NPR program Fresh Air featured an interview with Native American writer, Sherman Alexie who noted there were fewer Indian voices at work than when he started publishing. He joked he and Louise Erdich hoped for a Native American writing renaissance and I immediately thought wait: What about the recent poetry prize awarded to Joy Harjo? What about Kim Shuck? Today’s news confirms that Native voices, and all the poets of San Francisco, past, present, and future, will be well-tended to in the hands of our seventh poet laureate. Congratulations to her.

 

 

Filed under: Book news, Books, California, Poetry, Women's issues, , ,

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