Denise Sullivan

Author, Journalist, Culture Worker

Take Down The Statues

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All around the country, bronze statues are coming down, thanks to a movement started in the South in 2015 following the church shooting in Charleston. A city, a whole region, holding on to a vision of the past that was not very honorable in the first place is no way to acknowledge true history or let the generations of people who were harmed by that history heal; instead these megaton renderings glorify injustice and beget more violence. A nation in the middle of a prolonged racial crisis can no longer continue to inflict harm on its citizens and yet, these statues are a daily reminder of how twisted, inaccurate, and dated our history has become.  It’s time for a change.

The movement to unpack and teach a more accurate version of our state’s history has finally reached the far west, where we of course are supposed to understand and know better (yet by and large, I’m sad to report, there are those who still don’t get it).  Here in San Francisco last week, Native American activists and their allies achieved a victory that was 30 years in the making:  The rendering of a piece called Early Days depicting a Spanish conquistador and a Franciscan missionary lording over a Plains Indian (who by the way, was not from this region), was finally removed at the break of dawn following a contentious hearing process. I talked about statuary and other civic concerns with San Francisco’s poet laureate, Kim Shuck, a member of the Cherokee nation as well as a Polish American and a native to San Francisco.  She’s an educator with a masters in fine art and knows well the precedents for public art display; as a Native American, a person of conscience, and a mother, she was personally aggrieved by the sight of the statue as she moved in and out of the public library, her primary place of work as our city’s poet laureate.  And we talked more in-depth about the battle to topple the statue and about her San Francisco life.  I hope you’ll read on and link to this week’s edition of my San Francisco Examiner column, S.F. Lives: READ NOW

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Filed under: Arts and Culture, California, Poetry, racism, Tales of the Gentrification City, , , , , , , , ,

Congratulations Kim Shuck

Kim Shuck was named the new Poet Laureate of San Francisco today. Author of several collections of poetry, editor of anthologies and contributor to countless publications and journals, Kim is part Cherokee, part Polish, and is a fifth generation San Franciscan currently living in the Castro District.

“I’m delighted and flattered and ready to get on with the job,” she told me this morning upon the announcement of her post. “It’s not about me as much as it is about poetry and supporting poetry in the City.”

A lifelong reader, educator, lover of San Francisco’s libraries, its poetry, and writing history, I know Kim best as the curator of the Gears Turning Poetry Series which started at Modern Times Bookstore Collective in early 2015 and ran until the store’s closing at the end of 2016 (Gears Turning continues at Adobe Bookshop). Thanks to her efforts, her monthly reading series hosted a truly diverse, intellectually gifted, and emotionally-deep line-up of Native American readers and San Francisco poets, from the Mission to North Beach: She introduced voices that are not always featured at the usual bookstore readings and helped to restore a sense of normalcy to a bookstore that was having trouble surviving the new San Francisco.  She will be publishing a book of collected works by the poets in the series soon.

Kim’s own poems explore life’s often ineffable and sometimes more tangible mysteries, the light and the dark of them. The work is at once lyrical, traditional, and new. There is joy and grief and hope to be found in the collections of her poems, Clouds Running In, Rabbit Stories, Smuggling Cherokee, and the chapbook, Sidewalk Ndn. She is also an awarding-winning bead work artist.

Kim steps into the poet laureate position where Alejandro Muguía leaves it:  Both Alejando and Kim identify as poets of the People and of the Mission District, though they certainly have their respective histories and ties to San Francisco’s other poetry district, North Beach.  But what I really wish to acknowledge here is their tireless (a cliché, but true) efforts to raise the Mission’s profile as a literary destination in itself and for never saying no when called upon to read, present, or otherwise boost poetry in the neighborhood and beyond it.

A side note: Yesterday’s NPR program Fresh Air featured an interview with Native American writer, Sherman Alexie who noted there were fewer Indian voices at work than when he started publishing. He joked he and Louise Erdich hoped for a Native American writing renaissance and I immediately thought wait: What about the recent poetry prize awarded to Joy Harjo? What about Kim Shuck? Today’s news confirms that Native voices, and all the poets of San Francisco, past, present, and future, will be well-tended to in the hands of our seventh poet laureate. Congratulations to her.

 

 

Filed under: Book news, Books, California, Poetry, Women's issues, , ,

Congratulations Alejandro Murguía

murguíaActivist, writer and educator Alejandro Murguía is San Francisco’s new poet laureate.

Following an incantatory opening by Jorge Molina, Shaman of the Mission, remarks by poetic elder, Roberto Vargas, and a performance by Dr. José Cueller (also known as musician Dr. Loco), Murguía took the stage on Sunday at the San Francisco Public Library’s Koret Auditorium.

“I learned to read in workingman cafes,” he said, as he offered his appointment to the community—those who read before him, the poets of the here and now, and the voices of the future. He read his poems “16th and Valencia,” “Lorca’s Dream,” and “The Poet Recalls His First Reading,” among other vivid, humorous, and moving bits and pieces.

Born in the US but living in Mexico until age six, Spanish is his native tongue, though childhood trauma left him speechless for a spell.  He claims his first English words were “Pepsi, please,” ironic given his concerns as a poet and activist.  As a young man and new arrival from the southland, Murguía was embraced by North Beach poets Lawrence Ferlinghetti, Jack Hirschman, Allen Ginsberg, Gregory Corso and Bob Kaufman; his compañeros were the writers (like Ishmael Reed, Janice Mirikitani and Jessica Hagedorn) of Asian, Black, Latino and Pacific Islander heritage who were part of the Bay Area’s cultural empowerment movements of the ‘60s and early ‘70s.

In addition to his home among the Beats in North Beach and the poets of progress and resistance, Murguía fell into La Mission:  The district became his cultural home,  the place where he made lifelong friends, got politicized and became a fixture in the neighborhood.  He was among the founders of the Mission Cultural Center, preserving and promoting Latino arts, and those of the area’s indigenous people.  However, Murguía is not just a Latino poet—he embraces his post as poet laureate as an opportunity to serve all of the city’s people.

“From this day forward, we will no longer speak of parallel histories but of a literary history and true history of San Francisco, punto final,” he said. He would like to see San Francisco officially adopt the slogan, The City of Poets, and he suggests that we would all benefit from poetry workshops (but especially those in governance would benefit from studying the relationship between words and the truth, so to speak). Reminding listeners that poetry is a form best read aloud, he encouraged the reading not only of our own work, but of poems written by others.  I once heard him read with tremendous impact from Ishmael Reed’s Flight to Canada. Here’s the clip:

Filed under: Civil Rights, Latino culture, North Beach, Poetry, , , , ,

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