Denise Sullivan

Author, Journalist, Culture Worker

No Literary Work Here, Not a Chance

Sometimes I write.  Well, most times I write.  Daytime.  Nighttime. And often at the crack of dawn. Very rarely am I up in the middle of the night, though if I’m working on something strong, it’s been known to happen. What I write is not always for publication and it’s not always for you to know, though occasionally, I will publish work that is outside of the square boxes that keep writers locked in and gatekeepers busy doing the ticking.  That box labels me a journalist, a columnist, a music critic, an arts reporter. And yes, I know it’s so confusing but I also review books and films and write extensive profiles of people. Can you imagine that I also have dared to write about politics?  Please don’t fret, it’s usually just personal and local though occasionally it reaches out into the world. Crazy, I know! Here’s the thing and you might not be ready for it, but heck, I’m about to tell you anyway: I write writings of all kinds, occasionally sacred and other times sordid (as are most matters for hire, which means I get paid for those pieces).  Sometimes I volunteer my time (the pros call it pro bono work. I call it writing). What I’m getting at is the list of themes and assignments is long and frankly, a little unbelievable so I’ll spare you the details, partly because so many of my subjects have crossed over to the other side: They can’t testify for themselves, but among the living, I can tell you that most all the customers report satisfaction. Generally, I specialize in “difficult to categorize” “unwieldy” and “marginal” subjects, though there is one kind of writing to which I lay no claim though have been accused of lately and that’s poetry. Actually some “friends” told me the work, published here and there and most recently in a chapbook, The Rakish Tam, could be called such a thing. I disagree with them.  I am a writer, plain and simple.  Writers write.  So go ahead and call me what you like, just know that square boxes and categorization are not for me.  If you care to learn any more about what all my fussing is about, you can send a self-addressed stamped envelope the size of a notebook eight dollars — six for the book and two for postage and handling — to keepon.keepon.pushing@gmail.com and you can decide for yourself.  Or not. Though while we’re here: Limited edition reprints of my first chapbook, Awful Sweet, are also available at the same cut-rate. And with that, I thank you for leaving your preconceived ideas about writing in the 20th Century, and as ever, for reading: Because while I’m happy to give away everything on these pages for free for use in classrooms and homes throughout the world, I’m not as happy to post everything I write on the worldwide web for no compensation and a whole lotta unsolicited feedback. Which is why you won’t find anything remotely literary here. Not at all.

Filed under: anti-capitalist, anti-war, Arts and Culture, California, Editorial, Freedom Now, gentrification, income disparity, It's Personal, Poetry, police, Sunnyside Up, You Read It Here First

The King of Love

“Somewhere I read of the freedom of assembly. Somewhere I read of the freedom of speech. Somewhere I read of the freedom of the press. Somewhere I read that the greatness of America is the right to protest for right,” said Dr. King in his final speech, delivered on April 3 to striking sanitation workers in Memphis, Tennessee. The following day, April 4, the civil rights leader, winner of the Nobel Peace Prize, and beloved hero to millions around the world, was shot to death on the balcony of the Lorraine Motel. Forty-six years later, the work of non-violent protest in the name of desegregation, voting rights, racial harmony, jobs, freedom, opportunity, and an end to wars, is carried on by an international community of civil rights advocates and human rights and anti-war activists. Among the musical tributes in response to the tragedy were Dion’s popular “Abraham, Martin and John,” Otis Spann’s less-known “Blues for Martin Luther King, ” and Nina Simone’s enduring and emotional “Why (The King of Love is Dead),” first performed in his memory on April 7, 1968, the national day of mourning following the assassination. For further reflection on Dr. King’s message of love, please start with the The King Center archives, dedicated to the non-violent eradication of poverty, racism and violence.

 

Filed under: anti-war, Arts and Culture, Civil Rights, Dr. Martin Luther King Jr., Freedom Now, Uncategorized, , ,

Black History Month: Rosa Parks Meets The Neville Brothers

February 4 is the birthday of Rosa Parks, the rebellious civil rights activist remembered most for refusing to move to the back of the bus: The Montgomery Bus Boycott, in the name of the desegregating public transit, was organized immediately following her arrest on December 1, 1955.

Born Rosa Louise McCauley in Tuskegee, Alabama in 1913, Parks was a student of non-violent protest and an active member of her local chapter of the NAACP in Montgomery. Her refusal to move on the bus that day was not part of any kind of group action or occupation—she held her seat on her own steam–though she knew her rights,  the protocol for civil disobedience, and the possibility of taking an arrest.  In the immediate aftermath of sitting down for racial equality and desegregation, far from receiving any heroine’s awards, Parks paid a price for asserting her right to ride. She could no longer find work in the Montgomery area; she and her husband Raymond moved north, eventually settling in Detroit where she worked the better part of her life as a secretary for US Representative John Conyers.

Parks would one day receive the highest honors in the land– from the NAACP’s Spingarn Medal, to the Presidential Medal of Freedom (awarded to her by President Bill Clinton), and the Congressional Gold Medal. A new political biography of Parks details a life dedicated to seeking justice, from the Scottsboro Boys case to the anti-apartheid movement.

Parks remained particular and protective of her legacy:  She slapped legal actions on filmmakers and recording artists who wished to use her name and likeness, though “Sister Rosa,” a tribute to her by New Orleanians the Neville Brothers, was cleared to appear on their 1989 album, Yellow Moon.  Produced by Daniel Lanois, and accompanied by The Dirty Dozen Brass Band and Brian Eno for the sessions, Yellow Moon is an exceptional record. The band transforms two Bob Dylan songs (“With God On Our Side,” “The Ballad of Hollis Brown”), the Carter Family classic “Will the Circle be Unbroken,” Sam Cooke’s civil rights anthem, “A Change is Gonna Come,” and Link Wray’s “Fire and Brimstone” (title self-explanatory, taken from the guitarist’s obscure and brilliant 1971 album). Standing alongside the Neville Brothers’ bayou-fired originals, “Sister Rosa” is their attempt at rap.

For more information on Rosa Parks, visit the Rosa and Raymond Parks Institute.  For more information on the Neville Brothers, visit their website.

Filed under: cross cultural musical experimentation, Dr. Martin Luther King Jr., Freedom Now, Hip Hop, video, , ,

Black History Month: Langston Hughes

Chronicling the New Negro Movement of the 1920s and 1930s, Langston Hughes (born February 1, 1902) was a leading figure in the Harlem Renaissance.  Writing about life in a familiar and authentic vernacular, he incorporated the sound of music into his prose and poems:  “Take Harlem’s heartbeat, Make it a drumbeat, Put it on a record, Let it whirl.” Originally a Midwesterner with a family history that included mixed-race people and abolitionists, Hughes’ ability to distill truth and outrage while maintaining an uncommon faith in humankind made a deep impression on the voices of the Freedom Movement in the ’60s. His style was a breakthrough in modern literature and its lyricism translated into the development of blacker voices in music, too.  Nina Simone, Len Chandler, Richie Havens and Gil Scott-Heron are among the musical artists who say they were profoundly influenced by Hughes’ jazz-inspired work.  As decades wore on, his imprint resounded in the work of poets Amiri Baraka, Al Young, Jayne Cortez, Sonia Sanchez, Nikki Giovanni and many more.  Decades later, Hughes remains a continuous source of inspiration and influence, his words impacting the work of artists and scholars diverse as Cambio and Dr. Cornel West.

Filed under: Arts and Culture, Books, Freedom Now, Poetry, video, ,

The Staple Singers: The Long March on Freedom’s Highway

StapleSinger_cover-450x450In April of 1965, just weeks after the historic marches for voting rights across Alabama, the Staple Singers convened at a South Side Chicago church for a service dedicated to the marchers. The resulting live album, Freedom Highway, has since become a recorded classic, merging soul-solid messages and spirit-rising music. Long out of print, it was reissued in an expanded edition this week to coincide with the 50th anniversary of the Selma marches, though its gospel-sung dreams of justice for all are yet to be won.  Read my full review at Blurt online.

Filed under: Civil Rights, Concerts, Dr. Martin Luther King Jr., Freedom Now, Gospel, Reviews, Roots of Rock'n'Soul, , , , ,

MLK: The Last Holiday

01269r-1“In the end we will remember not the words of our enemies but the silence of our friends.” –Martin Luther King, Jr.

This weekend I joined hands with Down With Tyranny! to present a series of guest blogs. Following a bit of background on the creation of the King holiday by a musician, I write a little about the music in the extraordinary film, Selma, and direct listeners to the old songs that still sing out strong during the current justice movement afoot in the US.

Yesterday’s post concerns the State of San Francisco following last week’s mayoral address.  Tuesday will feature an everyday story of gentrification and how it is impacting the lives of two working people here in town.

Wishing you peace and enjoyment of this day of service.

Filed under: anti-war, Arts and Culture, Civil Rights, Dr. Martin Luther King Jr., Freedom Now, , , ,

For National Poetry and Jazz Appreciation Month: Langston Hughes

Chronicling the New Negro Movement of the 1920s and 1930s, Langston Hughes was a leading figure in the Harlem Renaissance.  Writing about life in a familiar and authentic vernacular, he incorporated the sound of music into his prose and poems:  “Take Harlem’s heartbeat, Make it a drumbeat, Put it on a record, Let it whirl.”  Originally a midwesterner with a family history that included mixed-race people and abolitionists, Hughes’ ability to distill truth and outrage while maintaining an uncommon faith in humankind made a deep impression on the voices of the Freedom Movement in the ’60s. His style was a breakthrough in modern literature and its lyricism translated into the development of blacker voices in music, too.  Nina Simone, Len Chandler, Richie Havens and Gil Scott-Heron are among the musical artists who say they were profoundly influenced by Hughes’ jazz-inspired work.  As decades wore on, his imprint resounded in the work of poets Amiri Baraka, Al Young, Jayne Cortez, Sonia Sanchez, Nikki Giovanni and many more.  Decades later, Hughes remains a continuous source of inspiration and influence, his words impacting the work of artists and scholars diverse as Cambio and Dr. Cornel West.

Filed under: Arts and Culture, Freedom Now, Gil Scott-Heron, Greenwich Village, Harlem, Jazz, Poetry, Richie Havens, video, , , , ,

The King of Love

“Somewhere I read of the freedom of assembly. Somewhere I read of the freedom of speech. Somewhere I read of the freedom of the press. Somewhere I read that the greatness of America is the right to protest for right,” said Dr. King in his final speech, delivered on April 3 to striking sanitation workers in Memphis, Tennessee. The following day, April 4, the civil rights leader, winner of the Nobel Peace Prize, and beloved hero to millions around the world, was shot to death on the balcony of the Lorraine Motel. Forty-eight years later, the work of non-violent protest in the name of desegregation, voting rights, racial harmony, jobs, freedom, opportunity, and an end to wars, is carried on by an international community of civil rights advocates and human rights and anti-war activists. Among the musical tributes in response to the tragedy were Dion’s popular “Abraham, Martin and John,” Otis Spann’s less-known “Blues for Martin Luther King, ” and Nina Simone’s enduring and emotional “Why (The King of Love is Dead),” first performed in his memory on April 7, 1968, the national day of mourning following the assassination. For further reflection on Dr. King’s message of love, please start with the The King Center archives, dedicated to the non-violent eradication of poverty, racism and violence.

Filed under: Dr. Martin Luther King Jr., Keep On Pushing, Nina Simone, “I’ve Been to the Mountaintop”, “Why (The King of Love is Dead)”, April 4 1968, Memphis TN, Striking Sanitation Workers

Filed under: Dr. Martin Luther King Jr., Freedom Now, income disparity, Keep On Pushing, Never Forget, Nina Simone, Protest Songs, , , , ,

History: Rosa Parks Born Today

February 4 is the birthday of Rosa Parks, the civil rights activist remembered for refusing to move to the back of the bus: The Montgomery Bus Boycott, in the name of the desegregating public transit, was organized immediately following her arrest on December 1, 1955.

Born Rosa Louise McCauley in Tuskegee, Alabama in 1913, Parks was a student of non-violent protest, an active member of her local chapter of the NAACP in Montgomery and a great admirer of both Dr. King and Malcolm X; her refusal to move on the bus that day was not part of any kind of group action or occupation—she held her seat on her own steam. And yet far from receiving any heroine’s awards, Parks paid the price for asserting her right to ride: In the immediate aftermath of the desegregation effort, she could no longer find work in Montgomery.  She and her husband Raymond moved north, eventually settling in Detroit where she worked the better part of her life as a secretary for US Representative John Conyers.

Parks would one day receive the highest honors in the land– from the NAACP’s Spingarn Medal (Harry Belafonte was honored in 2013), to the Presidential Medal of Freedom (awarded to her by President Bill Clinton) and the Congressional Gold Medal.  And if you dared to mess with the Mother of the Modern Day Civil Rights Movement and her legacy in a movie or a song, look out:  Parks was known for slapping down artists with legal actions and launching her own boycotts against them. But there was one song that met Ms. Parks’ high standards: “Sister Rosa,” a tribute to her by New Orleanians the Neville Brothers, appeared on their 1989 album, Yellow Moon.  Produced by Daniel Lanois, and accompanied by The Dirty Dozen Brass Band and Brian Eno for the sessions, Yellow Moon is an exceptional record, even by the Nevilles’ own high standard: Produced by Daniel Lanois, the band transforms two Bob Dylan songs (“With God On Our Side,” “The Ballad of Hollis Brown”), the Carter Family classic “Will the Circle be Unbroken,” Sam Cooke’s civil rights anthem, “A Change is Gonna Come,” and Link Wray’s “Fire and Brimstone” (title self-explanatory, taken from the guitarist’s obscure and brilliant 1971 album). Standing alongside the Neville Brothers’ bayou-fired originals, “Sister Rosa” is their attempt at rap.

Parks passed in 2005, though matters of her personal estate have not been resolved and her detailed personal archive has not yet found a permanent home.  She would’ve been 101 this year.  For more information on Rosa Parks, visit the Rosa and Raymond Parks Institute.

Filed under: Civil Rights, cross cultural musical experimentation, Dr. Martin Luther King Jr., Freedom Now, Hip Hop, Malcolm X, Never Forget, Uncategorized, video, , , ,

RIP Pete Seeger (1919-2014)

The folksinger, activist, songcatcher, banjo-picker, environmentalist, family man and non-violent resistor Pete Seeger was inspiration and forbear to any man or woman who uses their songs for economic and social justice—and doesn’t ever stop. Persecuted for his beliefs by federal law enforcement, the House Un-American Activities Committee and the public, he pressed on to become the greatest singing activist of our time.  “These days my purpose is in trying to get people to realize that there may be no human race by the end of the century unless we find ways to talk to people we deeply disagree with,” Seeger told his biographer Alec Wilkinson, author of The Protest Singer. “Whether we cooperate from love or tolerance, it doesn’t much matter, but we must treat each other nonviolently.” Seeger will be an irreplaceable force on the protest scene, not only for his songs and actions, but for his pure belief in the promise that we shall overcome someday.

Filed under: anti-war, Arts and Culture, Bob Dylan, Buffy Sainte-Marie, Civil Rights, Dr. Martin Luther King Jr., Environmental Justice, Folk, Freedom Now, Immigration Reform, Latino culture, Never Forget, Obituary, Occupy Wall Street, Protest Songs, Songs for the Occupation,

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