Denise Sullivan

Author, Journalist, Culture Worker

May 12, 2023 • 5:29 pm 0

Supporting San Francisco Independent Reporting

“Rally” is a film about San Francisco political figure, Rose Pak. Her life was extraordinary and the role she has played in our city’s development since the days of Moscone and Milk is perhaps not fully understood or acknowledged. Rooth Tang’s excellent film, which I hope will reach a wider release this year, debuted at the San Francisco Film Festival in April. The photograph above pictures Pak in the ’70s when she was the first ever Asian American reporter hired by the San Francisco Chronicle. Tang, an Angeleno, traveled to the center of Pak’s story in the way that perhaps only a Chinatown and San Francisco outsider could, but he had plenty of local insider assistance. As personal, political and documentaries of time and place go, Tang’s film is essential.

Kasey Rios is one of those freethinking and spirited San Franciscans that is the embodiment of our sanctuary city at its best. Serving residents of the Tenderloin and SoMa with a vision of greener and self-sustaining neighborhoods and fair wages for all seems a reasonable part of the solution toward improving our civic direction — a plan that includes all people, not just the wealthiest ones. Rios makes a case for less law enforcement and authority and more autonomy for residents, while paying folks to beautify and clean public spaces one neighborhood at a time. It’s a bottom up rather than a top down system and it is working in places like Mexico City and Paris, so why not here? Building the workforce is key: But such ideas can’t take if workers cannot afford to live here and we perpetuate a cycle of displacement and profits over people.

Like the city itself, the local media continues to experience loss, change and reorganization: Like everywhere, there has been a real drain of alternative news outlets here in recent years, and a co-opting and misunderstanding of what journalism is and can be. But there remains hope: Independent news organizations and reporting are the present and future of the form. As a new contributor to Bay City News Foundation, a local wire service and network of regional news outlets including Local News Matters, I’m happy to continue to do my work delivering under-reported stories to a wider public, as well as through the monthly live stream project, SFLives/Live Talks.

This Sunday, our guest is Malia Spanyol, a small business owner with an eye on keeping safe spaces alive for women and queer folks in the Mission District, a neighborhood that remains in persistent risk of over-gentrification. Next month on June 11, we will be in discussion with the aforementioned Kasey Rios at 10 am. SFLives livestreams on the Bird and Becket Books channel. Please join us and keep your eyes open for more on-the-ground coverage from San Francisco — from myself and other dedicated reporters from our city. We’re still here.

Filed under: Arts and Culture, gentrification, San Francisco News, Women's issues,

March 21, 2023 • 1:57 pm 0

Surrender Bono: There’s No Band Like U2

During U2’s earliest shows in San Francisco, a ritual developed: Bono would lift a child from the crowd onto the stage and prop her on his shoulders. The girl’s name was Megan and I was acquainted with her family; they ran the Psychedelic Shop on Market Street, a remnant of the hippie days and an essential stop on our ‘80s routes as one of the few places in town that sold rock ’n’ roll badges. I haven’t seen Megan or her family for years but she appears at about the forty minute mark in U2’s live set from California Hall, May 15, 1981, just two months after their first San Francisco appearance at the Old Waldorf on March 20.

The band gave small nightclub performances with stadium energy. Their gestures – well at least one member’s – were at once big and grand, generous and self-indulgent, a harbinger of a future self. These were also the things I came to love and not so much love about Bono. In passage over passage in Surrender, Bono’s recently published memoir, the singer knows this about himself – he is a the ultimate showman and a humble servant to the stage. The two extremes come packed with the character traits that make him a frontman: He runs mostly in the red. I think I would have rejected him and the band entirely back then had I not felt like what my generation needed was a rock star of our own- not Bob Dylan or Patti Smith, the Ramones, or the Clash but boys and girls – just  like us – who seemed capable of making something happen, of getting something done in the face of a new age of nihilism. The earnest young men of U2 seemed like contenders – a “nice bunch of Christian boys,” as photographer Chester Simpson characterized them. The band fulfilled its promise and then Bono went beyond the call of duty to become the most charitable of rock stars of my generation. His faith is estimable, though he is a man and U2 is a band of contradictions. There is much more to tell. Full story at the the link to Tourworthy.

Filed under: anti-war, Arts and Culture, rock 'n' roll, , , , , , , ,

January 15, 2023 • 6:23 pm 0

Stevie Wonder, Gil Scott-Heron and the road to MLK Day

Today would have been the 94th birthday of Dr. Martin Luther King, Jr. born January 15, 1929 in Atlanta, Georgia. It was a long road to the third Monday of the month when all 50 states will observe a federal holiday named in his honor. Largely owed for making the dream of MLK Day a reality is Stevie Wonder: Back in 1980, he wrote the pointed song, “Happy Birthday,” then launched a 41-city U.S. tour (and invited Gil Scott-Heron along) to promote the idea which was first mooted by Rep. John Conyers in 1968. The musical efforts were ultimately the key in collecting the millions of citizen signatures that had a direct impact on Congress passing the law signed by President Ronald Reagan in 1983, declaring a day for MLK.

Observed for the first time in 1986, some states were late to participate, however, by the turn of the 21st Century, all were united in some form of remembrance of the civil rights giant. “Happy Birthday,” which served as the Wonder-campaign theme (and is now the “official” King holiday tune) is the last track on Hotter Than July. The album also features “Master Blaster,” Wonder’s tribute to Bob Marley (Marley had been scheduled for the tour until he fell too ill which was how Scott-Heron came to participate. In his memoir The Last Holiday, Scott-Heron details his own journey with music and activism, as he retraces the long and winding road Wonder took to bring home the last US federal holiday, with the help of a song.

The Hotter Than July tour brought Scott-Heron and Wonder to Oakland, where they played in the name of King, along with Rodney Franklin and Carlos Santana. In a weird turn of events, the concert on December 8, 1980, coincided with the night John Lennon was killed. The musicians and crew learned of the tragedy from a backstage television, and the job fell to Wonder, with Scott-Heron and the other musicians at his side, to deliver the shocking news to an arena of music fans.

“For the next five minutes he spoke spontaneously about his friendship with John Lennon: how they’d met, when and where, what they had enjoyed together, and what kind of man he’d felt Lennon was,” wrote Scott-Heron.  “That last one was key, because it drew a line between what had happened in New York that day and what had happened on that motel balcony in Memphis, Tennessee, a dozen years before.  And it drew a circle around the kind of men who stood up for both peace and change.”   Scott-Heron devotes the final pages of The Last Holiday to a remembrance of how the murder of Lennon fueled the final drive to push for a federal observance of the official MLK Day.

The politics of right and wrong make everything complicated

To a generation who’s never had a leader assassinated

But suddenly it feels like ’68 and as far back as it seems

One man says “Imagine” and the other says “I have a dream”

Filed under: anti-capitalist, anti-war, Arts and Culture, Black Power,, Blues, Bob Marley, Civil Rights, Dr. Martin Luther King Jr., Georgia

Filed under: anti-capitalist, anti-war, Arts and Culture, Bob Marley, Civil Rights, Dr. Martin Luther King Jr., Georgia

November 8, 2022 • 1:07 pm 1

Which side are you on, boys?

The stats are in: 66 songs, 110 writers, four songs performed by women and seven written by them. The woman pictured between Little Richard and Eddie Cochran is Alis Lesley, an obscure pioneer of rock ‘n’ roll. Nicknamed “The Female Elvis Presley,” she recorded one single and left the business before ever getting started. Lesley is a footnote in rock history and a link in the chain of so many women before, and thousands more after, who helped shape modern song as we know it today.

But this is not a further critique of the exclusion of women in Bob Dylan’s The Philosophy of Modern Song: you may read my review and plenty more elsewhere (though they don’t get much better than this one). In fact, in the best case scenario, the book’s omission of women is an invitation to further exploration – an opportunity to learn more about say, Sharon Sheeley, Cochran’s occasional co-writer and girlfriend and the youngest woman to reach the top of the charts with “Poor Little Fool,” the song she wrote for Ricky Nelson. But I’m not so sure it’s that simple. Or complicated…

“It seems reasonable to hope that an artist of Dylan’s magnitude would publish words in solidarity with half of humankind in this critical hour of rights rescinded, rather, he chooses demeaning stereotypes,” I wrote in the San Francisco Chronicle. “There are also several admonishments on “political correctness” that, given the current moment of extreme polarization, are disappointing, especially coming from an artist who is known for his care with language.”

There is hardly anything that bothers me more than a missed opportunity: A book publishing in yet another long, wintry season in America could’ve served as a chance to lift up women when we really need some light – allies, friends and champions. What we want are equal rights and justice. What we need is for men to stand with us. What this woman can’t use are more vulgar characterizations, slights and crude names leveled at us – whether in the name of art or satire. The world is cruel enough. Yes, for the historical record, there have been many demeaning names for women, and Dylan chose to use as many as could be called to mind. He did not choose to do the same with racist epithets throughout the book.

“As a people, we tend to feel very proud of ourselves because of democracy,” writes Dylan in his essay on the song, “War,” one of the book’s central pieces. “We walk into that booth and cast our votes and wear that that adhesive “I Voted” sticker as if it is a badge of honor. But the truth is more complex. We have as much responsibility coming out of the booth as going in.”

Dylan is writing here about voters electing officials who will wage peace instead of war. Much of the content of the passage regarding personal responsibility for war echoes the old song “Universal Soldier,” written by Buffy Sainte-Marie. There is no mistaking Dylan’s point of view: He’s taking a clear stance on a divisive issue as old as time. My sadness, on this election day in the US, is that he didn’t make a similarly clear, simple and strong statement toward a collective responsibility to women and our never ending war with an unjust system.

Filed under: anti-war, Arts and Culture, Books, Buffy Sainte-Marie, Civil Rights, Editorial, Women's issues, Women's rights, , ,

July 17, 2022 • 8:34 pm 0

Antiracism isn’t only an idea, it’s an action

As one who writes at the intersection of culture and social issues – racism, sexism, income disparity – I appreciated the opportunity to speak to comic, W. Kamau Bell and human rights historian Kate Schatz about their collaborative project, Do The Work! An Antiracism Activity Book. Not only was it an opportunity to learn by doing the work to become more antiracist, but it was a chance to ask the authors some of my specific questions about language, how to use it, and what steps we can all take today to be better people in a country mired in a history of racism that is yet to be fully reckoned with.

“We were thinking of people who want to know what to do but who are overwhelmed because they may be short on time or didn’t grow up around other cultures,” Schatz said. The workbook addresses white people, but its exercises may be of interest to anyone seeking to up their game and take action when it comes to identifying and abolishing systemic racism.

“One thing you learn from being Black in America is that a good preacher is also funny,” Bell said. “You have to have a sense of humor to the message. My mother was the first person who demonstrated to me the humor to keeping it real.”

I hope you will read with interest the entire article in today’s San Francisco Chronicle Datebook.

Filed under: anti-capitalist, anti-war, Arts and Culture, , ,

May 20, 2022 • 7:38 pm 0

Music business in trouble, but film lives

Jacks Haupt and Doris Muñoz as themselves in Isabel Castro’s documentary, Mija

In Mija, directed by Isabel Castro, the intersecting stories of artist manager, Doris Muñoz, and singer, Jacks Haupt, unfold in a classic rock ’n’ roll fairytale. 

“When you’ve never seen someone like you succeed, it feels impossible,“ says Muñoz in the film as she dreams big for herself and Haupt.

As children of immigrants, the documentary’s Latinx subjects share a bond: Their family dilemmas combined with the elements of chance it takes to make it in the music business are a reminder of just how much timing and luck have to do with the game, no matter the amount of raw talent or hard work at hand. Throw in a once-in-a-lifetime pandemic and the odds of connecting with a wider audience become even more remote.

And yet, Mija screened to a sold-out theater this week with its subjects and director in attendance at the San Francisco International Film Festival. Returning to a live theater format rather than offering a streaming or hybrid option as the pandemic has dictated for the past couple of years was an intentional choice by the SFFILM, sensing that we’re all past due for communal filmgoing again. 

“At this point, there’s one group of moviegoers you can count on and that’s young adults,” said Adam Bergeron, owner of the Balboa Theater and operator of several independent theaters in San Francisco, including the Vogue and the soon-to-reopen Four Star. Business has been steadily coming back, and with it, there are plans to turn the Four Star back to a single screen theater with a gallery/event space and a cafe as additions. Scheduled to open this summer, the news of a hybrid space launching in the face of so many small businesses and independent cinema closures is a victory for grassroots artists and the people who support them.

Read the whole article at Tourworthy:

Filed under: Uncategorized, , , , , ,

April 13, 2022 • 11:11 am 0

SF Lives/Live Talks Are Back!

Greetings fellow Friscans and those interested in the latest from our much maligned and beloved city. As readers know, I occasionally write about San Francisco’s people, poets, places and solutions to its problems for a project dubbed SF Lives. Its print/text version is in process of seeking a new home beyond this blog and the archives of the San Francisco Examiner. However, if you’re interested in keeping up with all the news that I see fit to report from my outpost at the edge of the world, our SF Lives/Lives Talks, is once again livestreaming conversations from Bird &Beckett Books and Records.

This month I interviewed Kelley Cutler, the human rights coordinator at the Coalition on Homelessness. Cutler is a 20-year veteran of providing services to our unhoused neighbors and has seen firsthand the way people’s lives change dramatically for the better when they are able to secure housing. But promised housing by the City of San Francisco and the supportive services to assist people in need have still not materialized: There are no beds available and a dysfunctional intake system continues to challenge and stymie the best efforts by outreach workers and the people living on our streets. In this conversation, Cutler helps us understand why the cycle of dysfunction persists. With much gratitude to her and the work she the Coalition do, I hope you will take an hour to hear why the mayor’s Tenderloin emergency plan and other efforts to house people are failing, why the city is in violation of people’s basic human rights, and why the work Cutler does is essential to all of our SFLives.

Filed under: California, gentrification, income disparity, San Francisco News, Tales of the Gentrification City, , , ,

April 7, 2022 • 7:13 pm 0

The Tao of Rock

“If the Tao is a way of doing something in concert with its essential nature, David Meltzer’s ‘Rock Tao,’ a relic from the 1960s published for the first time this year by Lithic Press, is an aptly named guide. It’s a book as mysterious, ageless and full of contradiction as rock music itself.

Presented on the page as a textual collage in six parts, Meltzer alternates quotations from the I Ching with Greek philosophy and lyrics by the Supremes. He expounds on the teen appeal of the Beatles and the Rolling Stones, and touches on the artistry of Sam Cooke and showmanship of James Brown, among others. Weaving in and out of the music with scene-changing headlines, Meltzer chronicles, annotates, observes and critiques his times in “Rock Tao,” providing a portal into the mind of an insider.” Read the full story, my latest for Datebook in the San Francisco Chronicle

Filed under: Books, California, Poetry, rock 'n' roll, , ,

March 15, 2022 • 3:50 pm 0

Frisco Life of Pablo Celebrated This Month

You might remember when I reported on the memorial for skateboarder, drummer and visual artist Pablo Ramirez who died in a fatal collision with a truck on San Francisco’s Seventh Street in 2019 (ignore the byline which says “Danny Sullivan,” it’s actually me! An installment of my SFLives column, the piece earned an award from the San Francisco Press Club in 2020).

Famed for seeking out the city’s steepest hills and riding them all the way down, Ramirez was also a great explorer of the arts – a painter and a musician – and sought to cultivate his whole being by embracing life. He’s become a sort of folk hero within and outside the skate community.

Throughout March, the month between what would’ve been his 29th birthday and the third anniversary of his passing, the foundation set up in his name is hosting a series of events in San Francisco to raise awareness of skate culture(the full story is my latest for the San Francisco Chronicle Datebook section). Aimed at delivering access to skateboarding across traditional barriers (race, gender, sexuality, income), the foundation was also set up to introduce skaters and other interested parties in skate culture and its lifestyle. Disinterested in business as usual, skaters are often counted among the societal outlaws dreaming of a better way of life. But far from the trouble and noisemakers they are often perceived to be, skaters are interested in evolving, pushing forward, living on the edge, making change and bringing others along with them. Whether caring for the environment or channeling energy into making art and music, the skate community is multi-dimensional and growing. I hope I’ve piqued your interest in learning more about where the Bay Area’s justice-seeking, visionary arts and skate communities converge. As ever, thanks for reading.

Filed under: anti-capitalist, anti-war, Arts and Culture, California, , , ,

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