I first heard of the work Tony Robles was doing to stem the tide of gentrification in San
Francisco when I returned here, following a decade of living in Los Angeles. A housing advocate, particularly devoted to keeping seniors in their homes, and a cultural worker whose art is poetry, whether in the fight to preserve bookstores or entire neighborhoods, from the Fillmore to the Mission, Robles was a strong presence in the various communities he represented, from North Beach to City Hall and South of Market. Combining community and culture in the spirit and tradition of his uncle Al, one of our city’s beloved poet activists, Robles is a fighter for the city he’s allowed to hate — because he loves it — even though he’s left us for rural North Carolina…
In 2017, I was happy to include Tony’s piece “Conversation With A Buffalo,” in Your Golden Sun Still Shines, the San Francisco story anthology I edited for Manic D Press (and which his open letter to another Tony, Bennett, helped deliver the book’s title, a reference to “I Left My Heart in San Francisco”). Now that Robles has left his heart here for real, having relocated to Hendersonville, he’s receiving some well-deserved recognition for his work as a poet. I hope you’ll read the full story of his life and work, particularly as it relates to the role of artists in the age of the pandemic in my biweekly column for the Examiner, SF Lives. And oh yes, a big thank you to Tony: Mabuhay! Read the column here.
Filed under: anti-capitalist, anti-war, Arts and Culture, Book news, Books, Poetry, San Francisco News, Tales of the Gentrification City, Carl Sandburg, Frisco 5, SF Lives, Tony Robles, Your Golden Sun Still Shines
Hello faithful family of friends and readers: First things first, I wish you health and safety in these troubling times. I’ve been keeping my head down, safe distancing and generally following the recommendation of my state and local leaders to shelter in place. Here in San Francisco, we went on the unfortunately termed “lockdown” at midnight on March 16 in an effort to “flatten the curve.” There is so much left to learn and know about this virus. I will continue to cover its impact from my usual arts and cultural perspective as long as necessary.
