Denise Sullivan

Author, Journalist, Culture Worker

Poly Styrene’s Time is Now

“When we all got into music, back in the day, we got into it to be anti-establishment,” said punk filmmaker and musician Don Letts. “Nowadays, bands start bands to become part of the establishment.”

Poly Styrene, late ’70s

In the ’70s and ’80s, Letts was an intimate friend and documentarian of the Clash. He was also acquainted with punk empress Poly Styrene, front woman of X-Ray Spex and a witness to her unfurling following a difficult evening spent in the company of Johnny Rotten.

Much has been left uncovered and to the imagination concerning Styrene’s reclusive post-punk life, but the new documentary, Poly Styrene: I Am A Cliché, co-directed by Paul Sng and Styrene’s daughter, Celeste Bell, corrects the record and tells the true tale of an accidental icon.

“People often ask me if she’s a good mum – it’s hard to know what to say,” says Bell in narration of the film, exploring the life, career and spiritual-questing of her mother. Decades later, Styrene is still considered one of punk rock’s mothers and its premiere feminist, anti-capitalist and Afrofuturist.

Expertly weaving archival film with ephemera, testimonials and additional voicing of Styrene’s diaries by actor Ruth Negga, Bell’s very personal story is centered on the art itself, along with a narrative that underscores the artist’s ability to create lasting work in the face of the odds and a world that was built in opposition to her. That the artist was her mother makes for a complex telling but those complicated feelings never get in the way of keeping the focus on Styrene’s values as an artist; her contemporaries like Letts, ska music’s Pauline Black and Rhoda Dakar, and latter-day punk spokespeople like Bikini Kill’s Kathleen Hanna and Sonic Youth’s Thurston Moore are all quick to corroborate her impact. Bell does away with the documentary convention of talking heads which effectively keeps her subject in the spotlight rather than creating a distraction by fixing a camera on so-called experts. A daughter’s understanding of her mother’s role as a pioneering biracial feminist environmentalist with a spiritual directive to deliver a message to the world is a testament to Bell’s own commitment to making a film about art as opposed to conforming to commercial ideas of what makes good entertainment. Read full article here:

Filed under: anti-capitalist, anti-war, Arts and Culture, Environmental Justice, film, Protest Songs, Punk, Women in Rock, , ,

San Francisco filmmaker Jeanne Hallacy

Director Jeanne Hallacy and refugee children in Myanmar

Fall has been a busy season for me, jumping from stories on musicians, photographers, painters and visual anthropologists: I get so caught up in the words, music and lives of my subjects, it can be easy to forget to take a breath and assess the day in and day out of what’s right in front of me (and remember to post updates here).

One of the stories that took some deep research and extra transitioning for me was my piece on human rights filmmaker, Jeanne Hallacy. Born in San Francisco, she’s lived in Bangkok since the ’90s but returns occasionally to screen her work and check in with friends and family. When I asked Jeanne what she made of her hometown these days, given that this year the United Nations declared it in violation of the human rights of its thousands of citizens who sleep on the street without adequate shelter or sanitation, she offered some deep responses that I’ve carried with me since speaking to her last month. I hope you’ll read my story on Jeanne in the new edition of CurrentSF and see her film, Mother, Daughter, Sister, about the women of Myanmar who are taking a stand against the state violence waged against them and their children that’s earned the country a place on U.N.’s “list of shame.” More posts much sooner than later, I promise.

Filed under: anti-war, film, San Francisco News, Women's issues, Women's rights, , , , , ,

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