Chuck D organized Operation: Skid Row with LA CAN (Community Action Network) which provides homes for the homeless and with whom he collaborated on the new book, Freedom Now, concerning the human right to housing. He brought Public Enemy (Flavor Flav, Professor Griff) along to the show which also featured the old school talent of Brother J of X-Clan, Kid Frost, Yo-Yo and Egyptian Lover of “Egypt, Egypt” fame, as well as Money B and Korrupt (read the full report from the LA Times).
“When America has a recession, black America has a depression. When America hits depression, then you have a group of people based on their visual characteristics who are in total desperation,” Chuck D told the Ventura County Reporter last week, though details about the concert were kept vague until the last minute, to keep the focus on homelessness and to discourage gawkers and overzealous fans.
The Skid Row neighborhood is described as having the largest “stable” population of homeless people—approximately 4,000— in the US, though in practical terms, the area is anything but stable: It is under-served, its residents for the most part are unheard, and it exists as a world largely invisible to the greater Angeleno and American population. Filmgoers caught a glimpse of the Hollywood version of Skid Row in the 2009 film, The Soloist, starring Jamie Foxx and Robert Downey, Jr, based on the true story of LA Times reporter Steve Lopez and his relationship with a homeless musician, Nathanial Ayers. At the beginning of 2011, Pulitizer Prize-winning journalist Patt Morrison of KPCC broadcast a two-part series on the area in which she spoke to residents, some of them belonging to families spanning three generations there, as well to law enforcement and emergency and social service personnel who serve the neighborhood. More recently, eyes have been on Skid Row in relation to where its concerns intersect with the Occupy LA movement.
I can think of no better way to honor the work of Dr. Martin Luther King, Jr. on his actual birthdate than by shining some light on the plight of our poorest—the bottom one percent—and making the effort to extend a hand to them. “Feed the people, their minds, body and souls, and hopefully attract attention to make this invisible situation visible,” says Chuck D, now celebrating 25 years since the release of Public Enemy’s Yo! Bum Rush the Show. I have a feeling this is not the last we’ll be hearing from him or from hip hop on the matter of Skid Row.
More on Chuck D, Public Enemy and hip hop consciousness in Keep on Pushing.