Denise Sullivan

Author, Journalist, Culture Worker

Furry Lewis Born Today, 1893

Good morning, judge. What may be my fine?

Fifty dollars and eleven twenty nine

So sung Walter “Furry” Lewis, born on March 6, 1893 in Greenwood, Mississippi and raised in Memphis, Tennessee. He sung of injustice regularly, dispensed mostly by the uneven hand of Judge Harsh, the arbiter of “Good Morning, Judge”- fame and God-given name of the guy who did the sentencing in Lewis’ part of town.

They arrest me for murder and I ain’t never harmed a man

The arrest me for murder and I ain’t never harmed a man

Arrest me for forgery and I can’t even sign my name

Lewis’ story isn’t much told, though the chapter in Rythm Oil by Stanley Booth tells it as it’s known. Lewis worked on Beale Street during its high cotton days; he lost his leg jumping a freight train; spent the depression, the war, the ‘50s, and part of the ‘60s working sanitation detail for the City of Memphis. It was in his retirement that he was rerecorded and began to perform again. Allen Ginsberg loved him, and so did the Rolling Stones; Joni Mitchell wrote a song about him and Lewis hated it (it crossed some lines). He appeared on Johnny Carson’s show and acted in the Burt Reynolds movie, W.W. and the Dixie Dancekings. Died in ’81 at 88. His “Judge Harsh” blues made a real impression on me in 2004 (The Year of Our Injustice) which was also around the time Fat Possum released Good Morning Judge (there are plenty of other Lewis titles available but I like that one).

Furry Lewis’ songs and old-time style will pick-you-up when you’re down. Listen for the way he ends his jams abruptly and without ceremony. His delivery and his guitar style are unique (check the move he calls “spanking the baby”).  His outlook was generally optimistic, though his lines and the rhymes will break your heart.

Tell me baby, what eee-ver have I done?

Tell me baby, what eee-ver have I done?

Blood in my body done got too low to run

“I may be weak, but I’m willing” he said. Personally, I rely on his blues to chase away my own. When I play Furry Lewis, I find I just can’t stay down too long. Covering the spectrum of life in his songs, from white lightening and black gypsy to high yellow, he’ll turn your face red and your money green. Of course he also had a new way of spelling Memphis, Tennessee. And it’s for that, I thank him most of all.

Filed under: Arts and Culture, Blues, Roots of Rock'n'Soul, , , , , , , , , ,

What Makes A Legend: Darlene Love

Classic Track: “He’s A Rebel”

Born Darlene Wright in Hawthorne, California, and christened Love by Phil Spector, Darlene was a member of the vocal group the Blossoms and an A-list singer on the talented but wily producer’s sessions. Knowing in his bones the Gene Pitney song “He’s a Rebel” would be a hit,  instead of crediting the Blossoms, Spector rushed it out as the Crystals who were signed to his Philles label. Love was also the secret weapon on the Bob B. Soxx and the Bluejeans singles, “Why Do Lovers Break Each Others Hearts”, and “Not Too Young to Get Married.” Her unmistakable tone with no-nonsense, girl group attitude has backed-up Elvis (she and the Blossoms were part of the ’68 comeback special), Sonny and Cher, Papa John Phillips, Little Steven Van Zandt and his boss, Bruce Springsteen.

Career Highs: We’d have to ask her what she thought of singing on Cheech and Chong’s “Basketball Jones” or if her turns as Danny Glover’s wife in the Lethal Weapon movies were thrills to her, but we loved them. Maybe her heart sang when she headlined her own one-woman show, Portrait of a Singer, or when she went to Broadway as Motormouth Mabel in the musical adaptation of  the John Waters story, Hairspray.

Career Low: Going uncredited on all the Spector productions (she eventually won a lawsuit that helped her collect on some unpaid royalties).

Essential Listening: “Christmas (Baby Please Come Home)” is the song for which she’s probably best known outside of “He’s A Rebel”;  you can also hear her every year as background vocalist on the seasonal hit, “The Monster Mash.”  “He’s Sure the Boy I Love” and “(Today I Met) The Boy I’m Gonna Marry” are Love’s other great shots in the spotlight.  Her hits are all compiled on The Sound of Love: The Very Best of Darlene Love and Da Do Ron Ron: The Very Best of the Crystals, issued by Sony/Legacy Recordings.

And if you like that you’ll like: “Lord, If You’re A Woman” (“give a sister a hand”), tells a story about someone who’s been had and if you have been, you’ll say amen.

What She’s Doing Now: Darlene Love took her rightful place in the Rock ‘n’ Roll Hall of Fame when she was inducted on March 14, 2011. On March 2, 2014, she accompanied director Morgan Neville onstage at the Academy Awards to accept the Oscar for Twenty Feet From Stardom, a documentary about the lives of background vocalists. As part of her acceptance speech, Love sang a portion of the Gospel classic, “His Eye on the Sparrow,” in acknowledgement of how music and faith carried her through the hard times.

Watch the action: Love With Bruce Springsteen and the E Street Band in 2009

Filed under: Arts and Culture, film, Gospel, Roots of Rock'n'Soul, What Makes A Legend, , , , , , , , , , ,

45 Years Ago Tonight: The Doors in Miami

 

Filed under: Arts and Culture, , , , , ,

Malcolm X: Malcolm, Malcolm–Semper Malcolm

On this day in 1965, Malcolm X was assassinated, shot mulitiple times at the podium of the Audubon Ballroom where he was about to address the Organization of Afro-American Unity.  Thousands flocked to Harlem over a three-day period to view his body before the burial.

Malcolm Little was born in Omaha, Nebraska in 1925 into a Baptist family; his father was a follower of Marcus Garvey and educated his son on all matters of black pride. While serving a prison sentence in the 1950s, he  learned about the Nation of Islam and began a correspondence with Elijah Muhammed; by the time of his release he’d joined the organization and changed his name to Malcolm X. An immediately charismatic leader at Temples one, 10, 12, and seven, his musician following included  Etta JamesJohnny Otis and saxophonist Archie Shepp. In 1964, he left the NOI and made his way to Mecca. As a Sunni Muslim, El-Hajj Malik El-Shabazz  came to believe that Islam was the way toward racial harmony.

Twenty years after his death, the legacy of Malcolm X had largely not been passed down to the next generation; certainly, his contribution to the black liberation cause had not been fully incorporated into history texts despite the perennial popularity  of the considered classic, The Autobiography of Malcolm X, a collaboration with Alex Hayley. But leave it to music—in particular Public Enemy—to recognize and close the gap. The New York hip hop collective began to use Malcolm X’s teachings and speeches in concert with their videos and recordings (Boogie Down Productions and KRS-One and Spike Lee’s film, Malcolm X, also played a major role in the comeback; the efforts were not without controversy at the time).

Chuck D has said Public Enemy was partly founded on the idea of “connecting the dots” for those unfamiliar with the depth of black history; hard information is tightly packed into their raps that raise a fist in the name of consciousness. Of course this all happened back in the highwater era of Reagan and Bush, or what you might call the beginning of the middle of the end:  As the nation enjoyed its boom-time and Michael Jackson paid a visit to the White House,  the holiday for Dr. King was still left unrecognized by all 50 states, and the disconnect had only just begun. This year, smack dab in the middle of black history month, Nikki Minaj misappropriated the famous image of Malcolm X holding a gun, in defense of his family; Black media voiced its concern, the Shabazz family threatened legal action and Minaj rethought her plan. Hip hop is generally removed from its mission to educate and there is still no holiday in the name of Malcolm X. Instead, his civil and human rights works are officially recognized by films, speeches, books and songs. In addition to the Hayley book, Malcolm X: A Life of Reinvention by Manning Marable is the considered definitive biography. James Cone’s Martin & Malcolm & America: A Dream or A Nightmare is a comparison study of the pair’s liberation strategies.  This musical tribute from musician, poet and educator, Archie Shepp, taken from his 1965 album, Fire Music, was recorded as an elegy soon after the assassination.  A reading from Keep on Pushing follows.

Filed under: Archie Shepp, Arts and Culture, Civil Rights, film, Hip Hop, Jazz, Malcolm X, Poetry, video, , , , , , , ,

Remembering Mike Bloomfield

photo by Mike-Shea

Mike Bloomfield died in San Francisco, CA on February 15, 1981

Bob Dylan calls him “the best guitar player I ever heard.” Carlos Santana remembers his distinctive style: “With an acoustic guitar, a Telecaster, a Stratocaster or Les Paul, you heard three notes, or you heard one note and you knew it was Michael.” B.B. King credits him with his own crossover success with young, white audiences. “I think they felt if Michael Bloomfield said if he listened to B.B. King, we’ll listen to him too,” said King, still on the touring circuit at age 88.

So how is it in the age of excess information about guitar styles and rock ’n’ roll, Mike Bloomfield isn’t cited more often as a major contributor to the music’s evolution?

(Read entire article by Denise Sullivan at Blurt online).

Filed under: Blues, Bob Dylan, film, Interview, new article, Roots of Rock'n'Soul, , , ,

Bob Marley Day

“I and I vibration is positive (got to have a good vibe),” sang Bob Marley. Nesta Marley was born on February 6, 1946 in the Nine Mile village of St. Ann’s Parish, to a black mother and a white father.  Shuttling between two worlds, two homes, Marley translated a fractured urban/rural experience into a music with an alarmingly positive vibration that also sent a message.  Born from an expression of outrage at injustice and frustration at western societal values, Marley’s sound was as unique as it was soulful and universal; today, his image serves as an international symbol of peace and liberation. There were of course detractors—people who found fault with Marley’s brand of “Rastaman vibration”, his strength and his convictions. “Government sometimes maybe don’t like what we have to say,” he once said. “Because what we have to say too plain”, while  non-believers had little patience for what they heard as platitudinous refrains, along the lines of “Every little thing gonna be alright ” from the song, “Three Little Birds.”

Doom-saying, despair, negativity and futility were not in Marley’s repertoire: “Why not help one another on the way? Make things much easier,” he sang. He also backed up the message in the music with action, as in 1978, when he was called out of exile by Jamaican authorities and asked to return home to Kingston,  to join the effort to help quell escalating violence there. At the One Love Peace concert, Marley called opposing party leaders Michael Manley and Edward Seaga to the stage and raised their hands in a show of unity.

Taking his cues from the messaging in the records of Curtis Mayfield and the Impressions, the teachings of Black Nationalist Marcus Garvey (a Rastafari prophet), and with devotion to Ethiopian emperor Haile Selassie whom he believed to be the incarnation of Jah or God, Marley, alongside Bunny Livingston and Peter Tosh, brought reggae music to the world as the Wailers.  Their songs provided not only temporary relief from fear, loneliness, isolation and other human conditions, they were also stepping stones toward solutions to world war, poverty, famine, and all forms of human rights violations.  A short life with maximum impact, Bob Marley died of cancer in 1981 at the age of 36;  his eulogy was delivered by Prime Minster Seaga.

Filed under: anti-war, Arts and Culture, Bob Marley, Protest Songs, Reggae, video, , ,

History: Rosa Parks Born Today

February 4 is the birthday of Rosa Parks, the civil rights activist remembered for refusing to move to the back of the bus: The Montgomery Bus Boycott, in the name of the desegregating public transit, was organized immediately following her arrest on December 1, 1955.

Born Rosa Louise McCauley in Tuskegee, Alabama in 1913, Parks was a student of non-violent protest, an active member of her local chapter of the NAACP in Montgomery and a great admirer of both Dr. King and Malcolm X; her refusal to move on the bus that day was not part of any kind of group action or occupation—she held her seat on her own steam. And yet far from receiving any heroine’s awards, Parks paid the price for asserting her right to ride: In the immediate aftermath of the desegregation effort, she could no longer find work in Montgomery.  She and her husband Raymond moved north, eventually settling in Detroit where she worked the better part of her life as a secretary for US Representative John Conyers.

Parks would one day receive the highest honors in the land– from the NAACP’s Spingarn Medal (Harry Belafonte was honored in 2013), to the Presidential Medal of Freedom (awarded to her by President Bill Clinton) and the Congressional Gold Medal.  And if you dared to mess with the Mother of the Modern Day Civil Rights Movement and her legacy in a movie or a song, look out:  Parks was known for slapping down artists with legal actions and launching her own boycotts against them. But there was one song that met Ms. Parks’ high standards: “Sister Rosa,” a tribute to her by New Orleanians the Neville Brothers, appeared on their 1989 album, Yellow Moon.  Produced by Daniel Lanois, and accompanied by The Dirty Dozen Brass Band and Brian Eno for the sessions, Yellow Moon is an exceptional record, even by the Nevilles’ own high standard: Produced by Daniel Lanois, the band transforms two Bob Dylan songs (“With God On Our Side,” “The Ballad of Hollis Brown”), the Carter Family classic “Will the Circle be Unbroken,” Sam Cooke’s civil rights anthem, “A Change is Gonna Come,” and Link Wray’s “Fire and Brimstone” (title self-explanatory, taken from the guitarist’s obscure and brilliant 1971 album). Standing alongside the Neville Brothers’ bayou-fired originals, “Sister Rosa” is their attempt at rap.

Parks passed in 2005, though matters of her personal estate have not been resolved and her detailed personal archive has not yet found a permanent home.  She would’ve been 101 this year.  For more information on Rosa Parks, visit the Rosa and Raymond Parks Institute.

Filed under: Civil Rights, cross cultural musical experimentation, Dr. Martin Luther King Jr., Freedom Now, Hip Hop, Malcolm X, Never Forget, Uncategorized, video, , , ,

Marcus Books: Keep It Lit in the Fillmore District

If buildings could talk, the Marcus Books property on San Francisco’s Fillmore Street, the onetime “Harlem of the West,” would tell a tale of two cities for over 50 years. Once the jazz club Bop City (where John Coltrane, Charles Mingus and Billie Holiday performed), the purple Victorian structure is central to a neighborhood that has survived the internment and return of its Japanese American residents, an urban renewal project that resulted in the permanent exodus of African Americans when promises for new homes never materialized, and a blueprint for a  “Jazz District” that failed to launch. Now, the neighborhood faces a final act as Marcus Books, the oldest seller of books “by and about black people” in the entire US, attempts to uphold black history and culture, a part of which its founders helped create, while the mayor’s office and for-profit developers look instead to the influx of tech companies and their workers as the City’s future.

It’s taken decades, but the Mahattanization of San Francisco is nearly complete: The immigrants, artists and native-born who built the City and gave it its unique flavor can no longer afford to live here; with San Francisco’s African American population largely banished to Oakland and points beyond, alongside the working and artists classes, the freethinking lifestyle that attracted so many people to the Bay Area in the first place has largely been and gone. “What is crucial, is whether or not the country, the people of the country, the citizenry, is able to recognize that there is no moral distance between the facts of life in San Francisco, and the facts of life in Birmingham,” said James Baldwin on a fact-finding trip to San Francisco in 1963 at the height of the Civil Rights Movement, a time at which he would have also visited Marcus Books.

Every black writer and intellectual in the US and throughout the African Diaspora knows the store; Celebrities, activists, athletes and literary giants, from Malcolm X, Rosa Parks, Muhammad Ali, Walter Mosely, Alice Walker, Oprah Winfrey and Toni Morrison have all passed through the doors of the San Francisco or Oakland stores. Founded by Drs. Julian and Raye Richardson in 1960, their leadership and the store itself served as sanctuary for thinkers, authors and community members during every watershed of black cultural and political movement, from the Voting Rights Act, through the Black Power Movement and historic student strike at SF State in 1968 (resulting in the establishment of multicultural study programs which still exist at universities today).  Many of San Francisco’s African American faith, civic, arts and culture leaders were educated through the program at State, either by the Richardsons themselves or the books they stocked at Marcus; 50 years later, the Richardsons’ daughter, granddaughter and extended family remain in San Francisco, providing black children with their very first books, as well as a safe community space where elders and organizers may engage in discussions on their journeys, from Jim Crow to the first black president. Yet for the past year, Marcus Books, one of those rare brick and mortar stores that operates in the black, has been waging a program for its own survival: The City’s community activists, elected supervisors and appointed commissioners achieved landmark status for the historic building, attorneys brokered a buyback after the property was sold at auction, and the store’s fund drive with a deadline at the end of Black History month is in its final stretch.  But Marcus is not the only community-serving destination that’s been diverted from its core mission to enlighten and educate: If a city’s bookstores are any indication of its cultural diversity and intellectual health, San Francisco is on the critical list. With City Lights the only vestige of the town’s Beat Generation past, the City’s last gay bookstore was laid to rest three years ago; it’s most progressive political book outlet in the Mission District is on the brink. A similar fate for Marcus Books would mean the end to longstanding black-owned businesses in the Fillmore, the so-called “heart and soul of the city,” a neighborhood once so diverse it was dubbed the “Little United Nations.” Seems The City That Knows How has forgotten where it came from and San Francisco is no longer the most progressive place on earth. Baldwin’s 1963 quote may’ve been specifically about Jim Crow ways and law, but a blow to Marcus Books could mean his message remains the same:  San Francisco’s reputation as a kindly city of love, tolerance and diversity will be forever tarnished; in fact, it may have been false advertising all along.

Marcus Books will be holding a hackathon on Saturday afternoon in San Francisco.

Donate directly to Marcus Books 

Filed under: Arts and Culture, Books, Civil Rights, Harry Belafonte, James Baldwin, Jazz, Malcolm X, new article, San Francisco News, , ,

RIP Pete Seeger (1919-2014)

The folksinger, activist, songcatcher, banjo-picker, environmentalist, family man and non-violent resistor Pete Seeger was inspiration and forbear to any man or woman who uses their songs for economic and social justice—and doesn’t ever stop. Persecuted for his beliefs by federal law enforcement, the House Un-American Activities Committee and the public, he pressed on to become the greatest singing activist of our time.  “These days my purpose is in trying to get people to realize that there may be no human race by the end of the century unless we find ways to talk to people we deeply disagree with,” Seeger told his biographer Alec Wilkinson, author of The Protest Singer. “Whether we cooperate from love or tolerance, it doesn’t much matter, but we must treat each other nonviolently.” Seeger will be an irreplaceable force on the protest scene, not only for his songs and actions, but for his pure belief in the promise that we shall overcome someday.

Filed under: anti-war, Arts and Culture, Bob Dylan, Buffy Sainte-Marie, Civil Rights, Dr. Martin Luther King Jr., Environmental Justice, Folk, Freedom Now, Immigration Reform, Latino culture, Never Forget, Obituary, Occupy Wall Street, Protest Songs, Songs for the Occupation,

Happy Birthday Etta James

Etta-James2Today is the birthday of the great R&B singer, performer and songwriter, Etta James. Californian by birth, Jamesetta Hawkins entered this world on January 25, 1938, the child of a wayward mother and a father she liked to say was the pool player, Minnesota Fats (her belief was never exactly disproved). Shipped off to live with relatives who could better care for her in San Francisco’s Fillmore District (“The Harlem of the West”), she was discovered and rechristened Etta James by Greek-American Johnny Otis. Both Otis and James created identities as specifically California blues artists that they grew into international followings. Together they cut “Roll With Me, Henry” (an answer song to Hank Ballard’s “Work With Me, Annie”) and a few more sides before she left Modern Records for her ‘60s tenure with the Chess brothers in Chicago.

Known for her hits “At Last,” “Tell Mama,” “Wang Dang Doodle” and “I’d Rather Go Blind” among many other greats, she was an inspiration to drag queens (the disco artist Sylvester learned how to party in her apartment), rock’n’rollers (most famously Janis Joplin) and anyone with a pair of ears. Etta herself was at one time inspired by the charismatic speaking of Malcolm X; she joined the Black Muslims, as a way to get clean from drugs (it was a battle she waged for the better part of her life).  As Jamesetta X, she attended Temple 15 in Atlanta where Louis Farrakhan was minister.  ”I became an honorable Elijah Muhammad Muslim…No more slave name.”  She believes her example may’ve had some influence on her friend Cassius Clay turning toward the organization, though in her case, the faith didn’t stick (she lived to tell these stories and more in her autobiography, A Rage to Survive). Often sidelined by trouble, she resurfaced in the late ’80s after appearing in the Chuck Berry tribute film, Hail, Hail Rock’n’Roll, to largely resume her career and thrive. She received awards from all quarters, from the Blues Foundation, Grammy, and the Rock and Roll Hall of Fame to the Rockabilly Hall of Fame. She also ultimately got to grips with her addictions. First Lady of the Blues, James passed away a few days shy of her 74th birthday in January of 2012. We miss you Etta James:  The blues just ain’t the same without you.

In the above clip (from 1975 at the jazz festival in Montreaux), James is accompanied by her longtime bandleader and guitarist Brian Ray (best known these day’s as the guitarist in Paul McCartney’s band).  Below, Alicia Keys and Bonnie Raitt paid tribute to James at the 2012 Grammy Awards. Keys was also born on January 25, as was the pre-war Tennessee bluesman, Sleepy John Estes.
Read more about Etta James and Alicia Keys in Keep on Pushing

Filed under: Arts and Culture, Blues, Keep On Pushing, Malcolm X, Rhythm & Blues, Rock Birthdays, Roots of Rock'n'Soul, Soul, video, , , , , , ,

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