denisesullivan

Keep On Pushing: Black Powered Music From Blues to Hip-Hop

Hello Mumia, Goodbye Columbus

There is only one voice like Mumia Abu-Jamal’s, its tone perfect for professional broadcasting, and its message carrying necessary information for our times.  But Abu-Jamal as most people know, is not an announcer by trade; better known as Mumia to the worldwide community of human rights activists who support his case, the former radio journalist has been serving time in prison for 30 years now. He has spent much of that time writing and appealing his case.

In a new film, Long Distance Revolutionarywhich made its worldwide premiere over Columbus Day Weekend at the Mill Valley Film Festival, filmmaker Stephen Vittoria and co-producer/Prison Radio sound recordist Noelle Hanrahan, make a compelling case that Mumia’s situation as a prisoner for life is more than a miscarriage of justice:  Rather than rehash the circumstances that lead to the incarceration of the journalist/activist forced to moonlight as a cabbie, they shine a light on how he’s used the misfortune as prophetic opportunity, to become a voice for the voiceless.

In the film, Angela Davis, Amy Goodman, Alice Walker, Cornel West, Tariq Ali, Ruby Dee and James Cone are among the scholars, theologians, journalists, actors, activists, writers, colleagues, and family members who speak to the important role Mumia, the writer as political prisoner, plays on the world stage, as he reflects the revolutionary’s role in contemporary American society. Through interviews, news reel footage, photographs and most of all, interviews and sound recordings of Abu-Jamal, Long Distance Revolutionary tells the story of an intuitive and self-described “nerd” of a child, Wesley Cook, who journeyed into the Black Panthers, then followed his call to report on his city as he saw it, much to the distaste of its notoriously racist law enforcement. Of course, that’s business as usual in the land of the free; the mystery that unfolds onscreen is more to the point: Just how does a death row inmate as sharp as Mumia keep his mind in shape and his spirit alive while the state does its job squeezing the life out of him? Of particular note are the words of his literary agent Frances Goldin who I’m unable to quote here, but who was sufficiently moved by Mumia’s prose to take a chance on him.  Of course the most resounding voice of all is Mumia’s own which can be read in his multiple books in print all over the world; it can also be heard on Prison Radio, still recorded by Noelle Hanrahan.  For the Mill Valley premiere, Mumia delivered an address, especially recorded for the Bay Area which he remembered from visiting once as having a “luscious sun,” where he, “a tall, skinny, dark sunflower,” could be among some of the “best, boldest, blackest, sweetest” brothers and sisters he claims to have known.

Curiously, the film’s only musical voice was M-1 of Dead Prez; traditionally, it is musicians who sing out for injustice, in the way that Bob Dylan once did for Rubin “Hurricane” Carter (who also appears in the film), indirectly leading to his exoneration. Eddie Vedder’s recording of  ”Society” (previously associated with the feature film, Into the Wild,  concerning environmentalist/adventurer, Christopher McCandless), serves as a closing theme. So where are the other contemporary Musicians for Mumia? According to director Vittoria, the usual suspects were approached, but only Vedder responded to the urgency of the call.

Abu-Jamal was taken off death row late last year; he remains sentenced for life without possibility of parole and lives among the general prison population at the Pennsylvania State Correctional Institution at Mahanoy. But the system has not vanquished his spirit or his message. Mumia is on move: Long Distance Revolutionary is on its way to festivals in Denver, Copenhagen and New York City.  It opens in wider release in February of 2013.  Here’s the trailer.

Filed under: Angela Davis, film, France, Keep On Pushing, Reviews, , ,

Goodbye Old Year, Happy New You

Among arts enthusiasts, there is the year-end tradition of list-making, that compulsive, hierarchical compiling of bests and worsts that at its most sinister and cynical is rooted in the marriage of media and market forces and at its most benign is a form of entertainment for us media freaks and geeks. I happen to enjoy the tradition of critically reviewing the year in culture; it helps me remember its themes and threads and some of the good times as I determine what I shall carry forward versus what I’d rather forget. Listmaking or at least the act of reading and sharing of lists, is a form of community; and a little like resolutions, a list can hold you accountable for your taste, revealing however impeccable, poor, quirky, or mediocre it might be. Top Tens are also great conversation starters, and they can contribute toward creating a grassroots buzz for the otherwise unheralded.  Word of mouth is still my favorite way of receiving a recommendation, especially when so many other channels of information have been cut-off or rendered unreliable.  “I didn’t hear it, but a friend told me she liked it,” is often a good enough reason for me to try something new. Which brings me to my own list of a few of my favorite things from 2011.

Tassili by Tinawiren produced by Ian Brennan: Mali music spiked with the art rock of TV on the Radio, a taste of New Orleans from the Dirty Dozen Brass Band, and all the soul of Tinawiren’s distinct desert blues.

Detroit Ville Sauvage aka Detroit Wild City, directed by Florent Tillon, concerns the regenerating landscape and pioneering people of one of America’s greatest cities.

The Black Power Mixtape 1967-1975, directed by Goran Hugo Olsson, conjoins lost and found footage of the struggle in the ‘60s and early ‘70s with the voices of contemporary artists and activists (its narrative echoes the story told in Keep on Pushing, but that’s not the only reason I liked it).

La Havre by Aki Kurismaki.  A middle-aged French bohemian with problems of his own offers asylum to a young immigrant from Africa, separated from his family in the port city of La Havre.

Activist and educator, Dr. Cornel West and journalist Tavis Smiley for The Poverty Tour.

Nobel Peace Prize winner Leymah Gbowee for her activism.

Journalist Amy Goodman for her coverage of the Occupy movement

All the citizens who occupied our streets and parks, from coast to coast.

The Marriage Plot by Jeffrey Eugenides.  The story of trio of students forced to reevaluate everything they’ve learned up until graduation day will ring through for not only ’80s grads but the graduating classes of  2012 and 2013, too.

The Last Holiday by Gil Scott-Heron: A memoir as well as the story of how a hip hop original, alongside Stevie Wonder, contributed toward establishing the federal holiday honoring Dr. Martin Luther King, Jr. I can’t wait to read it.

Who and what contributed to some of your most treasured moments, events and artistic endeavors from the year that was?  And what are you looking forward to in the year that is?

Twenty-eleven was chock-a-block with personal milestones on my calendar—not least of which was the publication of Keep on Pushing--though I’d like to begin 2012 with a few words of thanks for the memories, inspiration and encouragement from this past super-year. First to my readers—whether we are strangers, relatives, colleagues, kindred spirits or friends for real, your support of the book has meant a great deal to me.  In the cases where we’ve dialogued, whether about the book’s themes, its soundtrack, the artists, and my reasons for writing about them, your inquiries and  feedback have been most gratifying. I am indebted to the thoughtful interviewers—broadcast and print journalists—who took the book to their hearts and invited me in for conversation.  In a new section of the blog headed Audio, I’ve recapped some of those recorded highlights (or I should say, the miracle that is internet radio and its archives has preserved them, in perpetuity).  Also, I owe yet another round of thanks to the publications that reviewed the book, as well as to the book sellers and librarians who invited me to participate in events at their stores and institutions, my editors and publisher Lawrence Hill Books and its distributor IPG, as well as the the musicians and poets who supported me at those appearances by performing for free. Chuck D’s tweet  about the book on New Year’s Eve ended the year on a sweet, high note.

We plan to Keep on Pushing throughout the election year with our revue. If you are a musician, a poet, an educator, activist, or a citizen who wants to get into it and get involved, please be in touch. Wishing us all peace, prosperity and good health in the new year (and whatever else it takes to move up a little higher, someway, somehow).

Filed under: Keep On Pushing, Occupy Wall Street, Reviews, , , , ,

Vibration is…Positive for Keep on Pushing

“A pleasing survey of soul music, from Lead Belly to Johnny Otis to Michael Franti to Louis Farrakhan . . . Sullivan offers a welcome exploration of how African-American popular music became America’s vernacular.”—Kirkus Reviews

Sullivan . . . combines impressive research and wide-ranging interviews in a multilayered narrative about the power of music within black liberation, civil rights, antiwar, and gender-related movements . . . This is for anyone interested in a thorough analysis of music as a commanding force in change as well as a continually evolving artistic presence.” —Library Journal

Filed under: Keep On Pushing, Reviews, , , ,

Keep on Pushing Reviewed in July Print Edition of Under the Radar

“Reaching as well into the areas of punk rock, reggae, and finally hip-hop, Keep On Pushing admirably points out numerous key developments and connections throughout a vital, revolutionary element of popular music.” —Under the Radar

Filed under: Keep On Pushing, Reviews, , ,

Kudos For Keep on Pushing in Pop Matters


“…Sullivan paints with condensed strokes, documenting in succinct sections how the music segued with powerful protest movements to smash disfranchisement and rouse sometimes fleeting victories, daring “to question the new freedoms and the quality of life ‘freedom’ brought in the face of liberty’s inconsistencies and … costs.”  -Pop Matters

Filed under: Keep On Pushing, Reviews, ,

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